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AuditedSEDEX · REACH · G7 · MELLOW · HIGG · FSC®

Printed lookbook opened to a product spreadLookbooks & Product Catalogs

Publications

Lookbooks & Product Catalogs

Lookbooks and catalogues for ranges that need explaining, not just displaying.

Material
Heavy cover, silk or gloss pages
Construction
Saddle-stitched or PUR bound
Supplied as
Finished and packed flat
Made in
Mumbai · Qingdao
  • Free advice on the right specification
  • A physical sample before production
  • Colour signed off before the run

By industry

Built for your sector.

Apparel packaging: a cream rigid box with a ribbon pull

Lookbooks & Product Catalogs for apparel & fashion

Materials
400-700 GSM Cardstock, 1400 GSM Fold-Flat Board, Cotton Twill
Finishes
Deep Blind Debossing · Matte Lamination · Woven Jacquard Details
Extras
Custom Printed Butter Paper · Branded Wax Stickers · Woven Ribbons
Everything for apparel & fashion

Surface finishes

Finish the surface.

  • Green Pack Creations rigid box in sage, printed with metallic gold botanicals and logo
    Metallic printing
    Metallic inks printed in the same pass as the full-colour artwork, so the sheen carries across a whole image rather than a single element.
  • Green Pack Creations rigid box in teal with the logo and leaves foil-stamped in gold
    Foil stamping
    Heat-pressed metal leaf. The finish that reads as expensive across a room, before the pack is touched.
  • Green Pack Creations rigid box in blush with raised gloss UV leaves standing off the surface
    Raised UV
    Thick, dimensional resin you can feel with a fingertip. Used on logos and pattern work that has to be found by hand.
  • Green Pack Creations rigid box in blue with spot UV foliage catching the light on a matte ground
    Spot UV
    Gloss varnish over selected elements only, so a mark lifts off a matte ground as the box turns in the light.
  • Green Pack Creations rigid box in lilac with poured drip UV swirls across the lid
    Drip UV
    Matte and gloss cured together into water-bead or sand-grain textures. Reads as tactile before it is touched.
  • Green Pack Creations rigid box in cream with the logo and botanicals blind embossed, no ink
    Emboss
    Raised relief pushed up through the board. Depth without ink, and it survives handling.
  • Green Pack Creations rigid box in sage with the logo and foliage debossed into the board
    Deboss
    Pressed into the fibre instead. The quietest way to signal quality, and it costs no colour.
  • Green Pack Creations rigid box in stone with a fine micro-embossed geometric pattern
    Micro embossing
    Microscopic textured pattern, for tactile grip and as an anti-counterfeit mark.
  • Green Pack Creations rigid box in soft green with a soft-touch laminated surface
    Specialised lamination
    Soft-touch, velvet and anti-scratch films. Velvet gives a warm suede drag people notice and cannot name.
  • Green Pack Creations rigid box wrapped in textured linen paper with green botanical print
    Specialised paper selection
    Pearlescent, felt, linen and uncoated stocks. The substrate decides how every finish above will behave.

Specification

At a glance.

Saddle-stitched or PUR bound, with a heavier cover than the pages so it opens flat and holds its spine.

Specification for Lookbooks & Product Catalogs
ProductLookbooks & Product Catalogs
MaterialHeavy cover, silk or gloss pages
ConstructionSaddle-stitched or PUR bound
Supplied asFinished and packed flat
SizeA5, A4 or a custom size
PrintingOffset and digital, with spot colours
FinishesLamination & touch · Gloss & raised UV · Foil & metallics
SamplingPrinted proof, then a signed golden sample
QuantityQuoted to your volume
CredentialsFSC® · Sedex SMETA · Higg · REACH

Questions

Before you enquire.

  • It depends far more on the style than on a house rule. Folding cartons and labels are tooled and printed on large sheets, so they get economical as volume rises. Rigid boxes are largely hand-finished, so they start considerably lower. What usually brings a minimum within reach is sharing one structural platform across a family of SKUs, and running several variants as one print job. Tell us the volume you actually need and we will say plainly whether we are the right supplier for it.

  • Yes, and we would rather you did. You get an unprinted white sample first, which settles fit, board weight and how the lid or drawer moves. Once that is right, you get a fully printed and finished golden sample with the real artwork, foil and lamination. You sign that one, and it becomes the reference every production run is measured against at every site. Both are couriered to your address, including the US and UK, and nothing goes into production until the golden sample is signed.

  • Enough for a real answer: what the product is, its approximate dimensions and weight, the volume you expect in a year, the markets it sells into, and a reference pack you like. A photograph of something similar is usually enough. Artwork is not needed to quote, and if you do not yet know the structure, describe the product and we will propose two or three routes with an indicative cost band for each.

  • Production and freight are confirmed against live capacity and actual sailing schedules at the point of quotation, so the dates you receive are real rather than indicative. Samples travel by courier. Production ships by sea as standard, with air freight available when a launch date is at risk. We quote FOB, CIF or DDP so your team can compare us like for like with a domestic supplier, and if a date starts to slip you hear it early, not at the port.